Introduction
When I’ve lately searched my archives for an old essay worth
posting, it’s felt like I’m down to the absolute dregs. One thing I’m resolute
about sparing you are the short stories I wrote during high school, which are
painful to read. The following essay, which I wrote in college, examines the
difficulty I had with fiction, while sharing some personal history I hope you’ll
find amusing.
This Is a Short Story
- October 21, 1989
This is a short story.
Actually, it’s not. It’s just another ... well, whatever you
want to call it. Essay, report, letter: whatever it is, it ain’t fiction. A
family member reported recently getting shivers when reading about my life, and
wishing it was fiction. Hey, if my memoirs
make you uneasy, you should read my short stories! Or maybe you shouldn’t.
See, I’ve always had problems with fiction. A few years
back, I could write it pretty readily—but it was really, really bad. My
characters were either boring, unbelievable, or undeveloped. The situations
were worse. Real life provides all this for
me; I just have to write it all down. The only trouble is, I have to patiently wait
for characters to show up and situations to happen, which takes too long … unless
I delve into my past.
I’m probably the only 20-year-old alive who’s ready to write
his autobiography. I could write a new volume every twenty years until I’m
dead. So instead of the story I was going to try to write this evening, here
are some reminisces.
At my high school,
most students hung out in packs (I’d say “cliques” but that’s such a stupid
word). Within these groups, everybody tried to look like everybody else, so
most of my peers in high school could be easily categorized: jock, egghead, stoner,
hic, punker, cheerleader, reject, etc. I always had a strange fascination,
almost an admiration, for those who took great pains to distinguish themselves
and stand aloof from everyone. Take this guy in my Russian class, Timofey. That’s not really his name, but it’s the English phonetic spelling
for his Russian name. Outside of class, he probably went by “Tim” which doesn’t
fit him nearly as well. Who knows, maybe he adopted “Timofey” beyond the
classroom … I wouldn’t be at all surprised.
Timofey made punk rockers look like Eddie Haskell. He wore
this black leather jacket with a painting on the back of a pit bull with an arm
sticking out of its mouth. Big block letters spelled out, “Pit bull for sale: loves
children.” As you read that, it sounds stupid. And it was. But the fact that he
wore that thing, without copping any kind of rebellious attitude, was unique. Unlike
punkers, he was friendly and outgoing. His hair was even wilder than his jacket:
a kind of square shaped, white ‘do with little vertical curls set in epoxy. I’m
not kidding, epoxy—I asked. He was really funny not just to talk to, but to
look at. He might have been smart; I couldn’t tell (though it was said that he
was the first Russian language student in 20 years to fail the class).
I guess
the real reason I kind of respected the guy was that he wasn’t trying to relate
to the punkers—in fact, they wouldn’t go near him. Where you would expect them to look at him with awe, their expressions seemed to say something like, “Gawd,
that guy’s WEIRD!” He singlehandedly made their own poses look pretty weak; after all, most of these
rote punkers would have cleaned up just fine and could be installed in a church
service pretty readily. But not Timofey. I mean, how do you get hardened epoxy
out of a kid’s hair?
When I started high school I was as judgmental and easily
shocked as the next rank-and-file member of the nerdy wannabe-elite. Having
Timofey in class, and finding him harmless, helped me let my guard down. I was
also led toward greater acceptance of the unusual by this punk rocker chick
named (in Russian) Masha. She had this way of looking at you with a half-smile,
curling her lip like Billy Idol, as though she was kind of inwardly laughing at
you, except you knew she wasn’t even paying attention to you, so she must have been laughing at everyone, at this class, at
this whole stupid high school scene. I had a sizeable crush on Masha, even if
her bleached, gelled, and shocked-up hair wasn’t
set in epoxy. My only issue with her is that she almost never came to class.
So, yeah, exchanging pleasantries with Timofey and Masha (yes,
they’d actually talk to me!) really expanded my worldview, to the point that
when my brothers’ friend DT began an eerie metamorphosis into an unrecognizable
hybrid of comic book villain and standup comedian, I rolled with it. He stopped
wearing bike race t-shirts in favor of a big long overcoat, which accentuated
his 6’4” 200-pound frame (which was itself a recent thing—he seemed to suddenly
grow giant overnight). DT dyed his hair red—but not a realistic redhead red,
but a lustrous dark black-cherry-red right out of a color comic book. Then he
wore the old-school Steve Dallas sunglasses, let a good three days of razor
stubble build up on his face, and clenched a cigar in his teeth. Maybe you
never saw him like that, and if not it’s probably a good thing. You would’ve
hated it, probably, because this was DT, a guy we all knew, a guy we didn’t
want to laugh at like a strange exhibit from the Ripley’s Believe It Or Not
museum. How are you supposed to hang out with a guy who looks like that?
To engage with DT and his new look took some adjustment. After
all, he didn’t create that image so he could blend into the woodwork. He wanted
to be noticed, to call attention to himself, just like the young rebel teen
punk who sports a foot high blue mohawk and a studded collar and says things
like “I just wanna be left alone!” To give DT a hard time for his carefully
arranged look would be no fun, as would pretending you didn’t notice. I think
he wanted us, or at least me, to play along with his transformation. One time
he dropped by my locker after school, even though he had graduated years
before. This stands out in my high school memories as one of the finest, having been charged with real (well, fictitious) menace.
First of all, DT was obviously not a Fairview student—way
too old. He came swaggering up the ramp towards the student center, this huge,
creepy looking thug made even bigger by his massive overcoat, with that stubble
and cigar, clearing a path of high schoolers as he went. They must’ve thought
he was some kind of lunatic … they gave him plenty of space and then stood
there gawking. About thirty feet from me, he called out, “Yo, DANA! Hold it!” I
acted real nervous and looked around as if for an escape route, and when he
reached me he said, “Tell your friend David if he calls me Mike again, he’ll
wake up dead!” All the people around my locker sort of cleared out at this
point, and gathered at a safe distance to see what was going on. DT looked
around, and sort of put his arm around me like he was going to inflict some
kind of pain if I acted up. He whispered, “Hey, Dana, what’s up? You wanna come
look at that bike?” but we both knew people assumed he was saying, “It’s too
late to back out now. I’ll go easy on you but you miss this next score and you’re
dead meat.” I stammered out something like, “Hey, man, I don’t want any
trouble.”
Then DT escorted me down the ramp towards the exit, his arm
around my shoulders like we were friends but with the suggestion that this
could become a headlock very suddenly. Once we were out of sight, we broke out
laughing. To my delight, the next day I got some nervous questions from the
guys in my honors classes, and I replied in a suitably evasive fashion. I felt
like I’d made some important transition from standard nerd to somebody slightly
more complicated. (Yes, it has dawned on me that my pose was about as ridiculous
as DT’s, but no matter.)
So, I think I’ve known some pretty interesting people, who could
be given code names and assigned roles in some totally fictitious story. Like,
maybe Timofey and DT meet at a U2 concert and decide to sneak backstage or something.
Except that’s dumb, they wouldn’t hit it off at all. Timofey probably wouldn’t
be caught dead at U2, he’d be at a Fear concert or something, and DT would be too busy hitting on some girl in the t-shirt
line to even think of sneaking
backstage. And even if they did, they’d just get chucked out by security, and
where’s the story in that? It’d be a really amazing memory if it actually
happened to you, but stories have to be way more exciting than that, at least
if they’re the type that could make me famous so I could go on “Donahue.”
So, I guess what I’m saying is, though I’d love to be a
famous fiction writer, I really don’t know how, and to try to fake it makes
about as much sense as changing my hair and outfit and hoping that’ll make me
into an exciting, unique person. But faking it at fiction would actually be
worse, because you’d read my stories and think, “This just sucks,” whereas
Timofey’s hair, Masha’s tongue-in-cheek sneer, and DT’s costume were at least entertaining.
So I’ll just keep reporting on that sort of thing, and hope you like it.
--~--~--~--~--~--~--~---~--
For a complete index of albertnet posts, click here.
No comments:
Post a Comment