Introduction
I’m running out of archival stuff to recycle on slow news
days. So today I’m going way, way back
and posting something I have only in hardcopy, from 1986. Since I don’t feel like retyping a lot of
text, or messing with a scanner and OCR software, I’m posting an old poem.
As a bonus, I’m going to provide all-new end notes on this
poem. Pretend you found this in your Norton Anthology of American Teen Poetry.
The Paperboy – April 28, 1986
Is it worthwhile to get up every morn
And lug myself so slowly out of bed, ooooooooooooooooo2
To go and work in any kind of storm,
To earn myself a little bit of bread?
I have to fold so many newspapers,
And put a rubber band of red on each. ooooooooooooooio6
And plastic bag ‘em when a rainstorm stirs,
And throw them on those porches I can’t reach.
I tell ya, though, it really ain’t that bad
To watch the morning sun come rising up;oooooooooooo10
To know how many people will be glad
To have their paper with their coffee cup.
oooThough other jobs may get me better pay,
oooI like my paper route more every day. oooooooooooo14
Footnotes & Commentary
Line 1: get up every morn’
This line is
pretty absurd. I mean, everybody gets up every
morn. The point I was trying to make is how fricking early I had to get up. But the poem doesn’t say anything
about that. The reader has no idea. It’s a good thing I went easy on myself as
a teenager, or I wouldn’t have written anything.
For the
record, I had to get up at 5:50. The
route had to be done by 6:30. This was
not a crunch. Folding the papers—there were about 30 of them
on weekdays, 45 on Sundays—generally only took a few minutes.
My record was well under 3 minutes.
As far as the delivery, it was also really fast because this was a condominium complex
so all the porches were really close together. I figured out the
optimum path through them, which in some cases meant throwing the newspaper onto a subscriber’s back
deck (which confused people at first, but they caught on). I did the route on my bike and could hit every
porch without even putting my
foot down. My record for the
whole route was around five
minutes.
If I had
unfinished homework, I’d do that as soon as I got back home. If I didn’t, I often went back to bed. During the summer, I always went back
to bed. Sometimes I’d wake up around 9 and panic, having no memory of delivering
the papers. I’d run out on the back deck
and check the patio of the
downstairs neighbor, which was always my last delivery. The paper would be there and I’d breathe a sigh of relief.
Line 4: any kind of storm
Considering
that all paperboys, back in the day, were children, it’s amazing how stringent
subscribers’ standards
were. It could be pouring rain,
or gusting at 50 mph, or there could be two feet of snow, and if I was five minutes late finishing my route,
at least one customer would call and complain. Imagine, grown adults
sitting there impatiently, staring at the clock, phone in hand, waiting for 6:30 to come and go
so they could dial up the Daily
Camera circulation desk and
rat me out.
The
complaints were taken very seriously and reported back to me on the
computer printout at the top of
the stack of the next day’s papers. Complaints
were called “kicks” and if you got more than like one a month, you’d get docked. Paperboys prided themselves on going months
and months without a kick.
Once, before I had my own paper route, I was subbing for my brother
and hadn’t gotten the hang of throwing the papers yet. I missed a porch by a mile and broke a garage
door window. This caused a big scandal,
with my dad getting an angry phone call, and he had to go replace the window
himself. All the adults involved seemed
not only disgusted but outraged, as though I’d cut the subscriber’s dog’s head
off and stuffed it in the mailbox.
Line 5: so many newspapers
I shudder to read this line.
The meter is all screwed up. The
word “newspaper” is dactylic—that is, it has one stressed syllable followed by
two unstressed. For that reason, it
cannot be used (no dactyl can) in a line of iambic pentameter. Obviously as a lad of 16 I didn’t grasp
this. In my defense, I didn’t have
access to a handy blog post explaining how to write a sonnet (the World Wide Web didn’t even exist), and
I didn’t get to take a private sonnet class. I just had to wing it.
Line 6: rubber band of red
Geez, this is embarrassing.
“Rubber band of red” ... how poetic, in the worst possible way. If I were to yield to temptation and fix this
sonnet up, I’d change the line to, “And put a fricking rubber band on each.”
Line 8: those porches I can’t reach
Man, kids are so stupid, even the ones who write
sonnets! Well, at least I was. In truth there were only a couple of porches
(those in my condo quadrangle) I could drop the paper on. The vast majority I had to throw. Everybody knows that. Well, everybody except modern people who may
not even know what a paperboy is, or was.
I think it’s silly for adults to deliver newspapers using their
cars. I see them out when I do really
early bike rides. But then, I guess it’s
a sign of the times ... there are so few subscribers, the routes have to be
really long, etc. I had no idea, when I
was a paperboy, that I was an endangered breed.
Line 10: to watch the morning sun come rising up
First of all, “morning” is needless here, since the evening
sun doesn’t come rising up. I should
have put “watch the egg-yolk sun come rising up.” But the line would still be flawed, as the
whole idea is fanciful, if not downright sentimental. Think about it: I’d do the whole route in 5 or 6 minutes, so
what are the odds I’d catch a sunrise? I
guess I could have seen them for brief periods during the spring and fall, but I
doubt I paid much attention. There’s
something almost cynical about how I trotted out this old cliché about enjoying
a sunrise.
I suppose I should mention that I really didn’t try very
hard, or take much time, on these sonnets.
This was one of four sonnets I wrote on 4/28/86. (I may have written all four in class.) The fact that there’s no grade on this one suggests
I didn’t even bother to turn it in.
These were for Mr. Kroop’s 10th
grade creative writing class at Fairview High.
He was a groovy guy who wore Jams and tie-dye shirts, and played weird music (perhaps involving whales?) in the
classroom.
Line 12: have their paper with their coffee cup
Considering how important the morning paper is to people’s daily
rituals, it’s kind of surprising to look back and consider how ungrateful my
subscribers were. How do I know they
were ungrateful? Well, I already
mentioned how often they’d complain. On
top of that, they never tipped. There
was a holiday tradition of paperboys putting handwritten cards in each
subscriber’s newspaper, as kind of a hint-hint gesture. I can’t remember what the tipping mechanism
was, but there was one, and I always enclosed the cards, but I almost never got
tips.
The better way to get tips was to deliver the Denver Post instead of the Daily Camera. With the
Post, you had to go door-to-door collecting the subscribers’ payments. (This ritual is parodied in “Better Off Dead,” with the paperboy hounding the hero throughout the movie for his “two dollars!”)
The downside of “collecting,” as it was known in the trade,
was that there were a whole lot of deadbeat grownups out there who were either
never home, always pretending not to be home, or not able to cobble together
the cash to pay the paperboy. The
paperboy, meanwhile, had to pay his employer (i.e., the newspaper),
regardless. This is how two of my older
brothers managed to lose money on their paper routes. Imagine doing all that work, and ending up in
the red! Those poor bastards.
On the flip side, my best friend delivered the Post, and
took the liberty of jacking up the subscription rates when he collected. He was practically printing his own
money! I challenged him on this, and he
said, “The way I see it, I’m buying the papers from the Post. I should be able to sell them for whatever
the market will bear.”
The Camera didn’t require paperboys to collect. My boss told me, rather bitterly, that I was
the highest-paid paperboy they had. I
made six cents a paper—about $1.80 a day, and $2.70 on Sundays, for a total of
about $55 a month. The going rate was
about five cents a paper. And the guys
who delivered to single-family dwellings needed more like 15 minutes to do the
whole route. Suckers!
Line 14: like my paper route more every day
My mom loved this sonnet.
I was working at the same hospital she worked at, typing lab manuals
into the computer. That paid like
$8/hour, which was a fortune to any teenager in the mid-‘80s. We both reported to the same manager, who was
a real jerk. My mom actually showed him
this sonnet, to try to scare him when he balked at giving me a raise. I’m sure I took that threat even less
seriously than he did. (As I recounted
at the end of another post, I made a serious career-limiting move with that boss, so it’s a good thing I
had my paper route to fall back on.)
It strikes me that there was something noble about the
paperboy. Today, it’s hard even to find an
adult with such an unfailing work ethic.
We were responsible for our route 365 days a year. If we went on vacation, that was never the
newspaper’s problem—we were required
to get a substitute. In my case this
meant having somebody all trained up on how to do my route, which was difficult
because the condominium complex’s address scheme was truly byzantine. (There’s a reason I was the highest paid
paperboy at the Camera.) Imagine trying
to motivate somebody to learn your route just so he’d have the opportunity to
earn $1.80 a day while you were on vacation.
Honestly, I don’t know how I did it.
So, are modern teens willing to do this kind of work, for
similar wages? Don’t make me laugh. These days there are probably more teenagers
writing sonnets than delivering the paper.
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