From the Archives - My Front Derailleur Tragedy

Introduction

In some ways, 1995 was a tough year for me. After the beautiful freedom of the cross-country bike tour that had taken most of the previous year, I was hunkered down and working hard in a nowhere job at a consulting firm. During my recruitment with this company, knowing they’d smoke me right down to the filter if I let them, I insisted that I be eligible for overtime pay. Several of the workaholic engineers dragged me along with them into fifty-hour workweeks—and, being paid time-and-a-half while saving to buy a house, I was all too happy to oblige them. I managed very little work/life balance.

This meant, of course, that my racing bike was sorely neglected, in every way. I was riding only two or three days a week, and wasn’t taking the time to keep the poor bike tuned up. (It didn’t help that my 450-square-foot San Francisco apartment didn’t have anything like a garage, and though I still had a workbench whenever I needed one at the shop where I’d worked in college, that was across the Bay in Berkeley.) My body fared as badly as my bike. When I did ride, the sport felt like something I used to do. That’s the landscape for the sad tale that follows. (This was not a blog post, as those didn’t yet exist, but an excerpt from an email to my brother Geoff, on which I’d cc’d half a dozen friends).

My Front Der – May 11, 1995

I gotta tell you about my front der. (“Der” seems to be the new bike shop lingo for derailleur. I still prefer “mech,” which is what my favorite two Square Wheel colleagues, illegal immigrants from England, called them. Customers sure got confused.)

During a recent evening ride, I got a flat tire on the Golden Gate bridge. I wasn’t worried, for I had not only a patch kit, but a spare tube. Well, the spare tube had a damn hole in it so I opened up the patch kit. It hadn’t been used in well over a year (since before the big bike tour) and the glue had completely dried up. So I tried to flag down anybody passing by, and all these bikers with bulging seat bags just blew by, ignoring me completely, perhaps because of their fiendish concentration in fighting the wind that always blows around the bridge towers (where I had set up, for shelter from that wind). Finally a woman stopped, and admitted with embarrassment that she had all the tools I’d need, but hadn’t the foggiest idea what to do with them. I offered her a free lesson in exchange for a patch.

Well, I repaired the tube, no problem, and the Samaritan pedaled off into the sunset (almost literally), but then the damnedest thing happened. When I went to reassemble my bike, my chain had locked solid between the right crankarm and the chainring. Nothing I could do would free it. It was just stuck. At first I gingerly poked at it, not wanting to get my hands filthy (as my chain was in sorry shape—like Dad’s chain, with that ten-years accumulation of black oil and grit on it). Then I poked harder, pushed, pried, and eventually found myself ripping at the chain furiously, and somehow managed to severely lacerate my finger. Blood was absolutely spurting out of it—all over the ground, the chain, the crank, the pedals, everywhere.

Now I was truly furious, and started trying to roll the bike backwards to kind of roll the chain out. No dice—all I accomplished was to get blood and black grime on my handlebar tape and saddle. So I carefully tried to pedal the bike forward. Nothing. Blood shooting everywhere, hands a grotesque red-black color, my composure completely gone, I finally jammed my foot down on the pedal in a burst that I hoped would break the chain in two but at least end the stalemate. Well, the chain held fast, but my Shimano Dura-Ace FD-7403 (cutting edge!) front der somehow got snagged and was bent horrifically!

Now, this wasn’t just any derailleur. It was also kind of a trophy. You see, all the way back in 1989 I’d somehow broken [our brother] Bryan’s Dura-Ace front derailleur, and our boss at the shop assured me Shimano wouldn’t warranty it. I begged him to try (as lowlife mechanics like me weren’t really supposed to talk to the industry sales & service reps ourselves). He wasn’t interested, and in the meantime I had to buy Bryan a new der. But I always vowed I’d warranty the broken one and keep the replacement for myself. Finally I got around to it, years later when working at the Square Wheel, and thanks to my (nearly authentic) original sales receipt, I prevailed. (I had to fill out some form and describe the failure, and all I remember of my report was the conclusion, “I am incredulous.”) A beautiful spanking new 7403 front der was my prize. It’s the braze-on version, so compact they had to bend the logo around.

This was the most modern, sophisticated part of my entire bicycle, and now it was utterly ruined! And as if that weren’t bad enough, the bizarre mishap had also bent my derailleur braze-on all to hell! Now I was so enraged . . . words cannot describe it. I was like that guy in “Midnight Express,” rotting in the Turkish prison until he can’t take it anymore, who finally loses it and tears some dude’s throat out with his teeth. I grabbed that chain with my bare hands, and in a feat of strength matched only by Samson’s when he crashed down the coliseum around him, I broke that chain in two! So complete was my frenzy when I accomplished this that I continued the fluid motion, hurling that chain, discus-style, right over the railing of the bridge. I can only assume that in its trajectory downward it sliced off the arm of a fisherman in a small boat below. Needless to say this is by far the most irresponsible thing I have ever done.

Now before you condemn me for this brazenly stupid and highly illegal act, let me tell you I know exactly how illegal it is, from my job. We do risk management of offshore oil platforms and part of that is publishing all the safety regulations, which also delve into various oceanic legal realms like pollution, and on a slow day I’d read with fascination (okay, mild interest) how steep the penalties are depending on how close you are to land. Far enough out in the ocean, you can pretty much dump whatever you want, even an entire military helicopter, but if you’re caught dropping so much as a paper clip within sight of land, you’re practically pilloried. Well, what can I say? I’d completely lost my shit.

Did this awful act immediately come back to bite me? Did a Coast Guard cutter suddenly appear? Or did I face karmic payback, like my back suddenly going out? On the contrary, just as I set off toward home on my bike, flailing at the ground with one foot like a damn skateboarder to propel myself, two cyclists rolled up, assessed the situation, and offered to push me along. “You live in the city?” one asked. I said yeah. “What neighborhood?” I told him Russian Hill. “We’ll get you home. That’s on our way,” the guy declared. And they literally pushed me the whole way back!

When I got home, I violated all the rules of bike mechanics: 1) I worked when angry and frustrated; 2) I didn’t have enough light; and 3) I was so mad I couldn’t even remember the third rule, nor do I remember it now, so how could I have followed it? At stake was my pride and joy: the Ten Speed Drive Team Issue Guerciotti SLX. If I screwed up bad enough trying to straighten the derailleur hanger, the frame would be ruined.

On the plus side, Bonney was there to help me. Bonney is an old friend of mine: a giant, 12” croissant wrench, built in the USA to the stringent mechanical tolerances of a Lexus. Years before, at mile 95 of a century ride, I’d spotted Bonney lying on the road, and I was so tired I actually considered just leaving her there. I pondered the matter for a fraction of a second before turning back and swooping down to pick her up and carry her home, my trophy. She’s the pride and joy of my toolbox, which is impressive considering I have all kinds of Campagnolo tools, even the famous R-tool that straightens bent rear derailleur hangers. Alas, there is no purpose-built tool for straightening front derailleur braze-ons.

I had that dead Dura-Ace 7403 derailleur off in a jiffy, and then set about, hands still shaky with anger and drooling blood, to use Bonney the Wrench to straighten that braze-on. Almost sick to my stomach, I envisioned the braze-on snapping off, leaving a gaping hole in my frame. This horrific vision ended with a little window popping up in my brain—an instance of the saddest, most absolutely lugubrious computer error message ever, which I see from time to time when using my CompuServe Information Manager software: “Could not recover from failure.” Like the epiphany of a Generation X-er who dies of a drug overdose.

But instead, I came through. Anything I’d ever wanted to have and didn’t get was suddenly erased at that shining moment. Gone were the restrictions of original frame design; in a Zen moment I became the artist, hand-crafting that braze-on the way I myself would have wanted it in the first place, like the Platonic ideal of front der braze-on. You see, my frame—quite intelligently for a frame of its size, bless those wonderful Italian craftsmen—has a rather shallow seat tube angle, which makes for the perfect positioning for a tall person with a high femur-to-tibia ratio. Unfortunately, it makes for poor front shifting when the front derailleur braze-on is set parallel to the tube (which they all are, as far as I know). The front part of the derailleur cage is too far from the chainring teeth, you see. Well, I bent the braze-on to just the right orientation, a bit clockwise from where it had been originally, and though a bunch of paint flecked off, it was chromed underneath anyway.

I dug through my box of old bike crap looking for a replacement der, and found not one but two of them. How? Why? It’s like the old parts in that box copulate or something. Upon inspection I discovered both ders had something wrong with them, but between the two I cobbled together a working one. It was a grotesque low-end Campy number; I’d given up on that entire brand when the founder’s playboy son Valentino took over the business and created all the low-end lines like Victory and Triomphe. This cheap, ugly der was a disgrace to my beautiful bike, so to compensate I put on a spiffy new nickel-plated Dura-Ace chain that I was saving for my fiftieth wedding anniversary. When the repair was done and I’d cleaned most of the blood and grime from my hands, I went out for a test ride, and now my bike—she runs like a top. I don’t know if it’s the new derailleur braze-on angle or the Dura-Ace chain, but the Campy front der shifts great.

As for the mangled Dura-Ace 7403, it’s still beautiful, in its broken, tragic way. If you ever need spare parts from it, let me know. For now, it’s just another museum piece taking up space in our small apartment, without a jewel case or alarm system to protect it and show it off properly.

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From the Archives - It IS About the Bike: Part 2

Introduction

Last week I ran the first half of a story I originally published in the Daily Peloton back in 2015. Well, to be more accurate I wrote it for some other magazine honoring the bicycle frame company Serotta, which was going out of business. As you shall see, my literary scruples prevented this from being a useful article to the Serotta people, which is why Daily Peloton got it. Since DP’s servers crashed a couple years back and all their content was lost, I’m serving the story up here.

Speaking of being lost, if you didn’t read the first half of this, go back here and do that now. Or not … you’ll figure out what’s going on eventually.

It Is About the Bike – Part II – January 2015

So, as I was saying last week, having wrecked my beautiful Mercian, I was getting by with an old Cinelli frameset on loan from my friend Nico. For months I’d been waiting in vain for news about getting my bent Mercian repaired. I waited and waited, and pestered and pestered Dave Whittingham, the manager of The Spoke, but to no avail. Eventually Nico wanted his Cinelli back and I still needed a bike. Thus, was time to buy a new frame but I had no money. (I’d spent it all on the Mercian and in fact still owed my dad at least $100 on it.) My brother Geoff, who had earned a fortune washing dishes at  the Flagstaff House restaurant, said he’d loan me the money for a frame if and only if I bought another Miyata. What was I to do?

I bit the bullet and bought a Pro Miyata, 57 cm, light blue with gold panels, for something like $300 (frame and fork). It looked pretty cool, but wasn’t as flashy as that Cinelli and rode just as bad. Of course I was happy to have a bike, but it was still a letdown.

At least it had proper lettering on the head tube, instead of the cheesy badge pictured above. And obviously it didn’t have any damn reflectors.

Nico worked at The Spoke, and I used to hang around with him there, chewing the fat. Not surprisingly, what we talked about was bikes. And what we talked about when we talked about bikes was The Perfect Bike. That it would be a Mercian was a given. The only question was, what color? Those frames came in like 60 different colors and if they didn’t have the color you wanted, you could send them a sample and they’d match it. We decided the ultimate Mercian would be the Colorado model (exclusive to the U.S., with Reynolds 531 tubing, racing geometry, an all-important lack of rack eyelets, and a 531 SL fork), with white pearl paint, red panels and a red head tube. But the red, we agreed, couldn’t be a candy-apple red because that was taken, being the iconic color of Colnagos like the Russian team had in the Coors Classic. So this would have to a slightly different shade: slightly on the plum or burgundy side, or a Moroccan leather red perhaps. We talked endlessly about this.

As time went on, it became increasingly obvious there would be no repair for my poor old Mercian, and eventually this became irrelevant: at fifteen, I’d outgrown my Pro Miyata and was therefore too big for the old Mercian anyway. Fortunately, at the same time I came into some money. An uncle had died three years before and left my brothers and me a grand each. My mom had wisely locked our money up in CDs earning a whopping 16%, and now, the term being up, she agreed to let me buy a new frame with some of my earnings.

So my mom drove me over to The Spoke, and I marched right up to the counter, where Dave Whittingham happened to be standing. I’d have liked to say something amazing and bold, like “I’m here to buy a new frame and I’ve got shit-stacks of money,” but of course I was too shy and polite. In fact, before I could even open my mouth, Dave said something apologetic like, “Look, I know what you’re going to ask, but I just have to tell you: Mercian can’t repair your frame. I’m sorry I got your hopes up.”

Before I could think of how to respond, he went on, “So because I feel bad, and because you’re good kid, I’m going to let you buy any frame I have in stock at wholesale.” As he said these words his glance drifted toward a row of frames hanging from the wall. Maybe he even gestured, ever so slightly, with his chin. And there, hanging right in front, was a pearl white Mercian Colorado with red panels and a red head tube, 60 cm ... just my size.

I couldn’t believe it. There it was, the frameset of my dreams. I asked Dave to take it down off the wall. The red of the panels is hard to describe. It was lustrous, deep, and unique. It was a beautiful frameset. I looked up at Dave. He had an amused expression, much like the one I’d have years later when, in the Red Light district of Amsterdam, I watched hayseeds from Oklahoma ogling the whores in the display windows.

But before making that frameset mine, I paused and reflected. I was in the catbird seat: a kid with many hundreds of dollars to spend, a sweetheart deal, and several bike brands to choose from. For the first time ever, I got to choose my frameset.

“Wait!” you might be thinking. “This Mercian, it was meant to be! You dreamed of this frame! It’s exactly what you’d already identified as the perfect bike! And clearly it had been made to order, just for you ... a leap of faith by this shop manager! Another brand?! That’s insane!”

And you’d have a point. But remember, I was a teenaged kid. All day every day my friends and I compared bike brands, watched bikes going by, drooled over bike magazines and catalogs, and debated the pros and cons of every make and model under the sun. Which was better, the Colnago Super or the Colnago Mexico? Were Olmos as good as Pogliaghis? Were Californian Masis as good as Italian Masis? Was it sacrilege for a high-end Italian Bianchi to be painted anything but Celeste #227, that milky washed-out green color? And was it even worse for a lower-end Japanese Bianchi—a totally new phenomenon in those days—to be painted Celeste #227? Who made better tubing—Reynolds or Columbus? And where did Bob Jacksons fit in this bicycle pantheon?

And keep in mind, this wasn’t just any purchase. What do teenagers blow their money on these days? Mostly hi-tech stuff, right? Playstations and smartphones? Those are guaranteed to be obsolete in a couple of years anyway. Not so with a bike, now that I was basically full-grown. I might have this bike for years and years, for thousands and thousands of miles. It could be the bike of my life. This wasn’t like buying a consumer good; it was more like buying a horse.

My friends and I loved our bikes like they were family. After a great ride, you’d lean your bike against the wall, gaze at it, and actually sigh with pleasure. I’d even go give it a little pat on the saddle. My bike meant more to me then than a modern teenager could possibly understand. A bike was freedom. My parents never worried about me, so I could ride as far as I want. My pals and I did 80 miles at a shot, day after day (having nothing better to do). Our suntans were asymmetrical from slowly climbing north to Estes Park and quickly descending back south. A friend and I capped off the summer by doing a 130-mile trek over the highest pass in North America. Only a bike could make such an adventure possible. Our bikes were our lifestyle, our identity, our everything.

So: what bike to get? The Spoke carried Olmos, but my brother Max was buying one on layaway and I couldn’t appear to be copying him. I’d never cared for Motobecanes (which all my brothers had had) and the Prolight, Motobecane’s flagship, was rumored to be flex-y. The Specialized Allez was high-end, but it wasn’t Euro. Ah, but The Spoke had Serottas. They sold lots of Serottas.

Timidly, I asked to look at one. Timid? Well, yeah. Obviously it was the Mercian that ought to be my destiny, after all. But Dave had said “any frame.” He graciously took me over to a bright metallic violet Serotta Nova in my size, built up with Campy Super Record. (Back in those days, when all good bikes were road bikes, and when the sales floor didn’t have to accommodate today’s menagerie of mountain bikes, commuting bikes, cyclocross bikes, lifestyle bikes, beach cruisers, and fixies, you wouldn’t believe the deep inventory of kickass road bikes shops could carry, especially in Boulder.)

The deck was stacked against the Serotta, of course, but I had to admit it looked great. Nico, who’d either gone to the shop with me or was there working that day, had to agree. So I took it out.

I hammered away on that bike, taking the corners hard, following the course of The Hill Criterium, one of the big Boulder races. I really put the Serotta through its paces, shoving on the pedals with everything I had. And with a strange mixture of delight and consternation, I realized this bike rode amazingly well ... in fact, possibly better than my Mercian had. It just felt so lively, so quick. I was astonished, and was overcome with the turmoil of deciding what to do.

Maybe, I reasoned, I was just comparing this to the Pro Miyata it was replacing. That Miyata was oddly back-heavy, like the rear triangle had solid tubes or something. From day one I hadn’t much liked it. So I rode back to the shop, borrowed Nico’s Mercian, gave it a good hard test ride, then switched back to the Serotta, then back to the Mercian, etc. I didn’t dare say this out loud, but if anything the Serotta rode better. Could it be the pins the Mercian was built with, that my brothers had taunted me about? No, that’s a dumb gag I just made up. That idea never crossed my mind at the time, and I didn’t kid myself that the difference was a matter of workmanship. Probably the Serotta’s Columbus SL tubeset was lighter than the Mercian’s Reynolds 531. Or maybe the Serotta’s geometry was more aggressive. Maybe it was something else about the bike (lighter wheels?), or maybe I just had a deep-seated, perverse impulse to make trouble for myself.

Quietly, I placed the Serotta back in its stand on the sales floor, next to several other Serottas much like it. And there was the Mercian, up on the counter, standing proud, propped on its bottom bracket and fork tips. And suddenly I had this strange feeling: my tension subsided as it dawned on me what a good problem this was to have. I had money, and I was about to have a new frameset, and whichever I picked, it was going to ride like a dream.

My mom was patiently waiting. I had to make up my mind. I hadn’t ordered that Mercian myself, but it had obviously been ordered according to my specifications. To reiterate, its existence was an act of faith. Teenagers are known for their pure id, but now my nascent superego actually asserted itself: I bought the Mercian. Maybe that was the first truly grown-up thing I ever did.

So did I always regret not buying the Serotta? Did I managed to love the new bike? Of course I loved it. In fact, it ended up becoming, of all the steel frames I ever owned, my second favorite. (And what was my very favorite? Well, that’s another story.)

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From the Archives - It IS About the Bike

Introduction

Seven or eight years ago, the iconic American bicycle frame company Serotta went out of business, and there was some journalistic buzz about its legacy. A friend suggested I write a tribute based on my own love of these bikes. The problem is, I’d owned only one Serotta, and very briefly at that. I’d bought it used, and it had been a broken frame repaired by a guy who was just learning how to braze steel framesets. His novice status was emphasized when his repair failed on literally my first or second ride. So my time with the Serotta wasn’t exactly a love affair … not even a fling, really.

Could I have written about Serottas from some other perspective? Like, the reputation the brand had among my racer friends and me? Well, we did affectionately call them “Scrotums” but that wouldn’t really do for a retrospective piece. So I wrote the sprawling story that follows, which is far from the concise, zippy, fawning paean that was called for. I knew my essay was a doomed effort, almost an f-you to the editor, who didn’t even bother to formally reject it. He just ignored it, perhaps rightly so. (In the event, this eulogy would have been a misstep anyway, as Serotta is back in business.)

Not knowing what else to do with my story, I sent it to the Daily Peloton who ran it in two installments. Oddly enough, their new(-ish?) editor assumed—based on my name—that I was female. That was a bit embarrassing … look:

(I describe the lifelong indignity of having a girl’s name here.)

Anyway, since Daily Peloton’s servers crashed a few years ago and all my articles there were lost, I’m gradually reposting them on albertnet. Read on for my not-really-about-a-Serotta article.

It Is About the Bike – January 2015

It was the bicycle equivalent of sensible shoes: a Miyata 310, the second bike I ever owned. I first saw it in a catalog, upstaged by the Team Miyata and Pro Miyata that were obviously out of my league. The 912, Miyata’s entry-level race bike, was almost within my reach, which gave me pangs. But I was resigned right off to the 310, which I only dared hope I’d get for my 12th birthday. I still remember the catalog description: “Offers the looks and the handling ease of the 912, with a price to fit most budgets.” It cost $265, in 1981. Since my choices were effectively limited to the one bike my mom would pay for, it was really she who chose it. And it was just the beginning.

When I outgrew that bike I sold it, ponied up my life savings, borrowed $250 more from my dad, and bought my first real racing bike. This was my friend Nico’s Mercian. It was practically new. He’d just gotten picked up by a team that gave its riders bikes. Imagine! Mere teenagers getting free bikes! Never mind that these were used bikes (also Mercians) that the senior team had ridden the year before and handed down to the juniors; the cachet of a free bike surely overcame that. Of course, Nico’s old Mercian being the only pro-quality road bike I had the chance to get cheap, I didn’t exactly choose it, either ... no more than I had that Miyata.

The Mercian—my Mercian—was a beautiful bike, possibly the most beautiful I’ve ever owned. (That’s saying a lot: I’ve had over 20 road bikes.) The color was officially called “champagne pearl,” but it was more like—what? Ginger ale? Not exactly. It was the color of a young gazelle, but sparkly. The lettering was pure white, whiter than snow, whiter than the cleavage of a Shakespeare heroine. I loved that bike. Here’s the best photo I have of it. See the guy with the Shaversport jersey and no number? That’s Nico, in the Red Zinger Mini Classic race leader jersey, on the Mercian before I owned it. I’m two guys to his right (#62) on the blue Miyata 310 with the clamped-on water bottle cage.

I’d had the Mercian for only a couple of months when, one night out with Nico, enjoying the warm and the dark and the freedom of riding bikes, we swung into a parking lot that ended up being a lot smaller than expected. I rammed that poor bike right into a curb. I flipped over the bars and landed on grass and was unfortunately totally unhurt. I say “unfortunately” because when I saw that I’d bent my frame—so that the paint on the top tube cracked, and the downtube crinkled—I wished I was dead.

Did my brothers comfort me? Of course not. There were three of them: the twins, Geoff and Bryan (three years older than I) and Max (a year and a half older). They taunted me about my wrecked bike: “Those MUR-shans”—my brothers mispronounced it just to piss me off—“are made with pins, which puts a strain on the tubes and weakens them. The right way to hold the tubes in place is with a jig, but at the MUR-shan factory they use pins because they’re lazy. Any other frame would have handled that crash just fine.” I got so sick of hearing this explanation ... they wouldn’t shut up about it.

Looking back, I can see why my brothers gave me a hard time: it’s because I had a cooler bike than they did. Never mind that I paid for it myself. I’d earned the money through one odd job after another: working for Eco-Cycle (the curbside recycling pickup program); cleaning Laundromats; standing in front of a grocery store handing out flyers for Fiske Planetarium; blanketing the neighborhoods with flyers for Save Home Heat, a solar energy company; installing pipe insulation; timing sailboat races at the Boulder Reservoir; and helping my friend’s mom deliver newspapers. This mattered nothing to my brothers. I had the cool handmade English racing bike that they didn’t, and this was an act of insubordination.

(Would my brothers agree, today, with that last paragraph? Who cares! This is my story ... if they don’t like it they can write their own.)

Finally, to shut them up, I wrote a letter to Frank Berto, the head gearhead at Bicycling magazine. (Among bike nerds, he was something of a celebrity.) I described my size and weight, the speed of the crash, the fact that I hit the curb head-on, and so forth, and asked if the pins caused the frame failure. My brothers swiped the letter and played keep-away with it, reading snatches as they went. Of course they preferred paraphrasing what I’d written: “As I hit the curb, my slight but highly-muscled build holding the bike in a perfectly perpendicularly fashion, a grimace spreading over my face,” etc. It wasn’t enough to mock my bike. They had to mock my prose as well, by resorting to the cheap trick of pointing out absurd descriptions and grammatical errors that didn’t actually exist in my letter.

Well, they could laugh all they wanted because I knew that letter would eventually ensure my vindication. Perhaps they fantasized that I’d get some cheap form letter apologizing that due to the high volume of letters received, not all could be published, etc.

Instead, I got a letter back from Frank Berto himself! I can’t remember exactly how he put it, but his letter conveyed that of course my brothers were full of shit, and that pins are perfectly fine, and that any bike with a light tubeset like that would have bent just like mine did. As an extra bonus, the secretary at “Bicycling” added a little note saying, “Our editor was very impressed that someone your age could write so well. He said, ‘Sign that boy up!’”

Well, I really rubbed my brothers’ noses in it, which felt great. But antagonizing my brothers may have been a poor strategy long-term, as I’ll get to in a bit. The immediate problem was: I had no bike to ride. Dave Whittingham, the manager of The Spoke—the bike shop that imported Mercians into the U.S.—told me Mercian might be able to fix my frame for a couple hundred bucks. Thus began an interminable cycle of my asking him about it every time I went into the shop, which was a lot, and him responding with a hangdog look and an apology. I still can’t figure out why he kept stringing me along with false hope.

Short term, I borrowed another frame from Nico. This was a rose-colored Cinelli. I can’t remember where he got it or why he had it. Looking back, it was probably the coolest, most iconic frameset I ever possessed. It was very old school—and in fact, just plain old. The head tube logo wasn’t the winged “c” they use now, but an elaborate coat-of-arms deal. The lettering was ornate and blocky and vaguely Roman, like something engraved on the tympanum of a coliseum.

The frame was heavy: probably made of primitive Columbus straight-gauge tubing, from the days before butted tubes. This frame may have even dated from the early days when Cino Cinelli himself was in charge and his company produced only 350 frames a year. I had worshipped these bikes for years … in fact, two or three years before, I’d worn a Cinelli cycling cap 24x7. Check it out:

Alas, all the old-world class and pedigree in the world couldn’t make that Cinelli ride as well as my old Mercian. I hate to say it, but the Cinelli was sluggish.

After a few months Nico wanted his frame back and there was still no progress on the fool’s errand of getting the Mercian repaired. It was time to buy a new frame. So my brother Geoff, who had earned a fortune washing dishes at the Flagstaff House restaurant, said he’d loan me the money for a frame if and only if I bought another Miyata. What was I to do, having sassed him with the Frank Berto letter, thus putting myself at his mercy? Tune in next week for the tragicomic denouement of this tale.

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From the Archives - Busted By a Cop on Highway 24!

Introduction

Recently, a particular stretch of California State Highway 24, which has always been legal for bicycles, has been marked illegal. This seems wrong, and has resulted in a lot of emails flying around among the members of my bike team. I wrote about this to a local bike advocacy group, who reached out to the DOT, who replied that the law hadn’t changed (i.e., the stretch is still legal) so they’re having the Traffic Office go check the signage. (Breaking update: as of September 25, Caltrans has confirmed the signs are wrong, and replacements will be installed in a few weeks. Until then, we are assured that it is okay to keeping riding this stretch of Highway 24.)

For the record, here’s a photo of the new sign posted on the on-ramp (recently snapped by a bike pal), and below that—to keep handy in case you get pulled over—the last photo of this ramp that Google shot for their Street View map:

There was a similar problem with the signs some years ago (after some construction), and I got caught out. Bikes are required to exit and rejoin the highway in certain places, such as Wilder Road, and I complied. Alas, when I tried to rejoin the highway I discovered a) a sign declaring Highway 24 to be illegal for bikes, and b) a cop parked right there on the shoulder. What could I do? I couldn’t go back the way I came, but I didn’t want to flout the law right in front of the cop. So I asked her for clarification, and she responded to the effect that she didn’t know if bikes were allowed and didn’t care. So boldly I rode and well, into the jaws of the on-ramp, right in front of the cop, half expecting to hear her siren start wailing. But it didn’t.

That episode ended well enough, but another time, almost thirty years ago, I got ticketed on my bike on that same highway, albeit in the westbound direction. I vaguely remembered writing about it at the time, and—lo and behold—here is that story, from my archives.

(I almost named this post “BSI Orinda: Bike Sign Investigation,” after a quip in a biking pal’s email.)

Busted by a Cop on Highway 24 – August 14, 1990

So one minute I’m just riding along, minding my own business, not a care in the world—well, actually, that’s not quite right. I’m not feeling particularly carefree because I’m riding my bike up Highway 24, westbound toward Fish Ranch Road, and there’s a lot of traffic whizzing by. Even though the shoulder is over eight feet wide, it’s an unpleasant section; I only ride it because it’s such a convenient shortcut. So anyway, one minute I’m making my not-so-merry way along 24 and then suddenly there’s this cop stopped ahead of me.

He’s got his big macho Mustang cruiser pulled over on the shoulder, his door open just enough for him to drop to one knee like T.J. Hooker in a prime time shootout.  Only he’s just putting out his arm, palm facing me, in the universal law enforcement signal for “STOP!”  Great, I’m thinking. What the hell am I doing wrong?

“You were supposed to exit back there,” he says sternly.  I have no idea what he’s talking about. I have this biking guidebook called Roads to Ride that says Highway 24 is legal from Orinda to Fish Ranch Road.  I tell the cop about the book, being very careful not to act smug, and I realize that I sound like I’m totally making it up. Meanwhile, I’m well aware how futile it is to argue with a cop, especially one in a big bad Mustang.

“No!” he says, clearly displeased at my insubordination. “You have to exit!  There’s a sign!” Trying not to shrug, I reply, “ I know there is, but it’s up there.” I point up the road toward the next exit, for Fish Ranch Road, where I’ve seen a “BICYCLES MUST EXIT” sign.  This seems to piss the cop off even more.  “NO!  There’s another one.  Back there.”  He points down the road.  All I see is a stampede of cars going eighty-five in a fifty-five zone.  I tell him I’ve taken that exit before but it doesn’t go anywhere.  “I know!” he snarls.  “You have to get off and get right back on again!  It’s for your own safety!”

He asks for my driver’s license. I don’t have it on me but I give him the number from memory. He writes it down in his little book, and I know my situation is futile.

There are two kinds of cops, and it doesn’t really matter which kind you get.  The first kind is the guy who, growing up, never expected to become a cop. If he is a generally disappointed person who wishes he’d become a doctor, maybe he gets some satisfaction out of giving doctors tickets. And if he wishes he’d had the opportunity to go to college, maybe he enjoys foisting citations on overprivileged college kids like me. (Or maybe he’s just doing the same thorough job at this as anybody would at anything, and I’m only imagining that what-ifs and woulda-coulda-shouldas ever enter the picture.)

The other kind of cop is the guy who, as a kid, always knew he’d be a cop one day, and loves being a cop. To him, being anything else—like a doctor or a college kid—would be unthinkable, as would letting me off the hook. In his worldview, those who break the law must be brought to justice, and giving me just a warning would be like throwing a wrench into the spinning wheels of his very raison-d’être.

                                                                                                                   

I don’t know which type this cop is. If he were really burly and had the standard-issue bushy mustache I’d assume he was the second kind, but that wouldn’t necessarily mean I was right. In any case this guy is oddly small and skinny for a cop, or at least for a highway patrolman with a souped-up Mustang.  His service revolver, in contrast, is definitely on the large side and I wonder whether it pokes him in the leg when he’s driving.  And does he have a nightstick in the car? Does he normally slip that through a loop in his belt as he exits the car, like the cops on TV? Or does he only bring it out at night?

I think some more about his gun. Do cops all get issued the same type of sidearm, or do they get to choose? I think about Dirty Harry explaining to a colleague his choice of a 44 Magnum: “A 357 Magnum is a good weapon, but I’ve seen 38s bounce off of windshields. No good in a city like this.” Suddenly I realize that this officer has caught me staring at his gun. Not a good thing for me to be doing. Does he think I’m contemplating making a grab for it? I quickly flick my eyes away, like when I’m caught gawking at a pretty girl. The cop stares at me for a second, and then turns his attention to my bike.

Oh, this is just great.  My bike totally looks stolen, because I spray-painted the frame with neon orange Krylon, and did a poor job at that, so there are little hardened drips all over the place.  “What make is this bike?” the cop asks, looking at the sticker on the head tube. The sticker has a skull and crossbones on it, only one of the bones is a big wrench. Above the graphic it says “HERCULON LOVE GODS” and below that, “DRUNK ROCK!”  I got it from a buddy of mine who’s in the band.  The cop looks up at me. “What make, and what year?”

I honestly don’t know; this bike sat in a warehouse for months, maybe years, because the English manufacturer got in a fight with the American distributor. Eventually the distributor got tired of storing all the frames—I think there were a couple hundred of them—and started selling them to the public for $40 apiece. That’s a great price for a handmade racing frame, so after discovering this great deal via a classified ad, I turned all my friends onto it and lots of us bought these as our backup bikes. The frames were unpainted so we all did them up with the same orange Krylon, like we’re part of a cult or something. I try to figure out how I could possibly explain all this to the cop without sounding like I’m deep into a highly criminal enterprise, but I can’t come up with anything.

“I don’t know what year,” I tell him. “Probably 1988 or ‘89.”  He asks again what the make is.  “Uh . . . Orbit?” I stammer, knowing I sound like I’m hiding something. Eyeing me very suspiciously, the cop says, “I’m gonna need to see the serial number.” 

I know where the serial number is: it’s stamped on the bottom bracket shell. Unfortunately, it’s obscured by the plastic cable guide that bolts on there. I remember thinking, when I built up the bike, that it was pretty lame of the framebuilder not to have foreseen this problem. Feeling like things are going from bad to worse, I lift up the front wheel and tilt the bike all the way back so the cop can see the BB shell. There’s a lot of black grime on there so he doesn’t immediately realize why the serial number is unreadable. He scrapes the grime away with his fingers, eagerly, like this is some thrilling forensic moment of truth.

“Oh, gosh,” I say, “I think that plastic thing is covering it up.  If I had an eight millimeter wrench, I could uncover it.  Hold on.”  I look through my seat bag, feeling very grateful that it’s far too small to conceal a firearm.  I know exactly what’s in there:  an inner tube, a patch kit, and some tire levers. I don’t need to look to know that I don’t have an 8 millimeter wrench, but I really want to seem helpful. The cop tells me to stay put and goes back to his car. He fetches the CB and starts talking on it, standing next to the car. I see him eyeing his reflection in the window. Does he like the way he looks when he talks on the CB? Or is my perspective all wrong and he’s actually keeping an eye on me? At least the driver’s license number I gave him is legit and will match up with my info—height, weight, etc.—in SCMODS (the State County Municipal Offender Data System). On top of that, I have a totally clean slate, in the eyes of the law, so chances are I’ll get away with nothing more than a citation.

Which he does, in the end, give me, for failing to exit the highway as required. Before he gets back in his cruiser, he fixes me with one last stare, like I’m damn lucky to be getting off so easy. And suddenly this whole episode seems completely absurd: a college kid who’s never done anything wrong before comes off as some kind of minor-league criminal, but the over-equipped and needlessly vigilant cop can’t make anything stick. It’s like a parody of a cop show.

Postscript

It was tempting, when I went back to edit this today, to add a little more commentary, acknowledging  the role that color—i.e., my being white—played in this ultimately harmless encounter. But the fact is, I’d only recently moved to the Bay Area, and it never occurred to me at that time that a young black man in the same situation—even on the outskirts of suburban Orinda, California—might have fared far worse than I did.

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Colorado Mountain Road Test - SRAM eTap Electronic Shifting

Introduction

So, this post will be a bit unusual. I did a Colorado mountain ride with my friend Pete recently that wasn’t quite epic or disastrous enough to warrant its own post. (For epic click here; for disastrous click here.) Meanwhile, I’ve long wanted to blog about electronic shifting, but I’m not sure I care enough about it to devote a whole post to that, either. So here’s a combo: while telling you about a not-quite-epic ride, I’ll share my firsthand experience with top-end electronic shifting. If you care about neither, read on anyway, because I’ll cover food and booze too.

Executive summary

Fun ride, even though my rental bike’s SRAM Red eTap bit the wax tadpole.

Short version

Our pre-ride carbo-load dinner was exquisite. I rented a very high-end bicycle from a good shop. This bike had electronic shifting, which I was hoping to have some trouble with so I could bag on it, which I’m predisposed to do anyway. I did have some trouble, which proves that at least this brand of top-end electronic shifting is still a pointless expenditure. The ride was fun, hard, and involved a gorgeous dirt road. It wasn’t that epic, though, which is my friend Pete’s fault.

Long version

If you know me well, you know I’ll all about fast cars, fly women, and gold chains. Hmmm. Maybe that’s not quite right. I guess more accurately I’m all about fast bikes, fine literature, and saving money.  And when I go to Boulder, I’m all about time-honored traditions like eating pasta at The Gondolier and suffering through long bike rides. Here’s my plate at the Gondo:

Look, I know some wiseguy among you is going to say, “Those noodles are too thick and ropey and don’t appear to be made of semolina flour.” That may be true, but damn it, that’s not the point. These were good enough for me as a teenager when I went every week for all-u-can-eat, and they’re good enough now. Trust me, I know from good pasta.

And look at that beer! Dogfish Head 90-Minute IPA, one of my very favorite beers. (Before I conceived of this post, I snapped this photo for Beck’sting purposes, to make my pals jealous.)

That’s Pete in the background. He’s my favorite biking pal because he’s way faster than I am but doesn’t seem to hold it against me. He also susses out all the cool routes that invariably feature gobs of climbing and remote dirt roads.

For my rental bike I went to University Bicycles, affectionately known as UBikes, which is arguably the best shop in Boulder (though I also like Vecchio’s Bicicletteria quite a lot). Now, you might not know this, but Boulder is considered a very bike-y place. “Best shop in Boulder” is kind of like being “best brothel in Amsterdam.” (I’m actually not that wild about the comparison I just made, but I don’t have time to go fix it.) Anyway, one cool thing about UBikes is their collection of very cool old bikes like this one.

When I was 13 my friend Nico (also 13) loaned me, for about a year, a Cinelli road frame of similar vintage.  When I think back to how advanced Nico and I were, compared to the current crop of ho-hum teens, I start to sound like an old person.

Last time I rented a bike from UBikes for an epic ride, I waited too long and got a real pile of crap. This time I planned ahead and, almost two hours before the shop opened, reserved a Specialized Tarmac via their website. I got to the shop about ten minutes after they opened and they’d already put on the Look pedals I requested. As the salesman helped adjust the saddle for me, he sent another guy upstairs to “get the batteries.” Batteries? Huh? Oh, wow, this bike sported SRAM eTap electronic shifting! It works like this: there are only two buttons, one per lever. To get a smaller rear cog you tap the right. For a bigger cog you tap the left. To change chainrings you tap both buttons at once.

Is electronic shifting cool? No. I can say that now that I’ve tried it. I have always been tempted to say that without even trying it (kind of like how I can confidently say heroin isn’t cool even though I haven’t tried it, either), but until now I figured I better hold my tongue. Now I’ve tried it and, as I’ll get into later, it’s not foolproof (which of course it needs to be to have any benefit over traditional shifting).

Empirical arguments aside, I will now walk you through why electronic shifting is lame in principle. First, let’s ask the question, what makes a racing bike good? Number one, the bike has got to look cool. Number two, the bike has to go fast. Let’s evaluate eTap on that basis.

Does it look cool? No. Here’s proof.

That Cinelli I showed you a bit ago? That looked cool. Those SRAM derailleurs? With the big hunks of plastic-y material sticking off of them? Those don’t look cool. They look really bad. Now, I know aesthetics are a matter of personal taste, but that doesn’t mean there’s no right or wrong. If you like the look of these derailleurs you are either delusional or have no taste, and I no more respect your opinion than if you said plastic ketchup bottles look better than glass.

Now, speed is another matter. My Giant road bike might not look better than that old Cinelli I had, but overall the Giant is better because it’s faster. That is, the Giant will get me up hills faster, given the same power applied to the pedals, because it’s lighter than the late ‘60s Cinelli. Now, here’s how the whole “is it faster?” question applies to electronic shifting.

(The SRAM Red eTap rear derailleur weighs 239 grams; the SRAM Red traditional weighs 178 grams. The levers weigh about the same between the two types. Etc.)

I guess it could be argued that eTap is better because it’s more foolproof and/or more pleasurable to use. I’ll get to that later.

Just in case you give a shit, here’s the bike I rented.

Great bike. It rode really well … stiff, comfortable, handled well. My only complaint is that it seemed a bit heavier than my Giant. Hmm, I wonder why.

The saddle was pretty comfortable too, which was a relief. You just never know with a rental bike.

I have to question Specialized’s normally spot-on branding here, though. I mean, Toupé? Are you kidding me? Look, marketing guys: since you evidently didn’t grasp this, “Toupé” is one letter away from, and pronounced exactly the same as, toupée, the artificial hairpiece that insecure men wear, which is a front-runner for the most embarrassing product a man could buy. There’s a reason slapstick comedies so often feature a man’s humiliation at having his toupée  blow away or getting it snatched off his head. Given the prevalence of baldness amoung MAMILs (hardly the most glamorous ambassadors of the sport), this is astonishingly reckless branding. If they came out with a women’s version, would they call it the Merkin?

Since I seem to be finding fault with everything, I might as well complain that the helmet UBikes loaned me didn’t have a vent setup that gave me any way to stash my sunglasses. This really surprised me, since every helmet I’ve had in the last 20 years has had sunglasses-friendly vents. But thanks to the Toupé saddle, problem solved!

I finally understand why so many modern saddles have that giant hole in them. (By the way, the above picture provides the only photo evidence that I was actually on this ride. Look closely and you can almost tell what club I ride for.)

But enough about the gear and culture. It’s time to hit the open road! Here’s where we rode, starting from Pete’s house in Golden.

The reason this ride was so short is that although Pete and I both had the day off, he had a noon conference call. I already gave him a hard time about this, but you should pile on. E-mail me your scathing gibes and I’ll pass them along.

We started out by riding up Lookout Road, featured in the US Pro Challenge and, more recently, Phil Gaimon’s successful bid for the new Strava record. We didn’t end up going as fast as Phil. I guess we forgot to hammer. Oh well. We ride Lookout in less than twice Phil’s time, which isn’t bad.

If you’re looking for an open road, Colorado is a good place to start.

I don’t have a whole lot of photos of this ride because I forgot to bring my camera. Fortunately—check this out!—my phone has a camera built in! That sure came in handy.

There was a wonderful section of brand-new bike path for a ways. Then, after another climb, I helped Pete get a new personal record on the Floyd Hill descent. (Actually, we weren’t even thinking about trying to go fast, much less doing anything on Strava. And lest you think we’re daredevils, this was only good for 144th place.)

Alongside the road were some buffalo, or “buffler” in mountain-man parlance. I’m sure these creatures are more majestic when they’re not all fenced in.

The pedaling was hard. After Lookout we braved another Category 2 climb a bit over 7 miles long, taking us to about 8,700 feet above sea level.  That may not sound like much, but I donated blood recently. Also, I’m not very strong to begin with.

Okay, let’s get back to that shifting. First impression? Kind of nifty. It didn’t take long to get used to it (though a couple times, near intersections, I tapped the wrong button.) Once I got used to it, and the novelty wore off, I realized it’s not as fun as traditional shifting. I enjoy mechanisms. After all, we’re messing about with PCs, tablets, phones, and other electronic interfaces all day long. As more and more technologies are designed to be idiot-proof and as automated as possible, what’s left for us to do? I miss the stick shift on my old Volvo. Driving a stick is more fun than letting the car decide when to shift. (And operating the clutch of my old car was more fun than using Geartronic, the so-called “manumatic” transmission of my current Volvo.)

What’s wrong with today’s wealthy cyclists that they don’t want cable-type shifters, especially considering how good they’ve gotten? Why do all these dentists and stockbrokers enjoy being coddled with pushbuttons?

So much for eTap being more fun. So does it shift faster? No. Rear shifting has been practically instantaneous for many years so there is scant room for improvement there. And when shifting the front with eTap, there’s a tiny delay when you tap both buttons before you hear this little whirring noise and the motorized front derailleur moves the chain. Granted, this delay is unimportant; the main factor in response time was never in the lever to begin with—it’s dragging that chain up to the big ring, or nudging it to the little one without letting it fall. The SRAM red front derailleur does just fine, but no better than high-end cable-type front derailleurs.

The last chance for eTap to prove itself superior would be in the “foolproof” department. This is hard to test, of course.  I will concede that cable-type front shifting isn’t perfect; everybody throws his chain once in a while. That being said, one ride on eTap without a missed front shift wouldn’t mean anything. I might go weeks or months, maybe a year or more, without my bike’s front derailleur screwing up. So my only hope for hitting the trifecta—ugly, heavy, non-foolproof—would be eTap happening to screw up within the narrow timespan of my four-hour ride.

About 2/3 of the way into the ride, all the planets lined up. Pete and I reached a point where a steep downhill led right into a steep climb, and I wanted to keep as much momentum as possible. This meant big-ringing it until the very last second and then going for the little chainring. What a perfect testing ground for electronic shifting! You can see where we were, about 43 miles into the ride:

I bombed the downhill (leaving a bit of a gap between me and Pete so maybe I could surge by him triumphantly) and tapped the two buttons at just the right moment. And guess what? The fricking chain fell off! And here’s the really weird part: it came off the right side, as if it had overshot the big ring (which it had already been in) instead of the little one. WTF!?

Now, a defender of this eTap technology might be tempted to blame the rider. But that’s silly; there should be no way to get it to mis-shift. But wait, you might say, what if I had accidentally hit the two buttons twice instead of once? Well, I suppose it’s possible I did that, but electronics should be “smart” enough  to handle this kind of user error. That is, the system should ignore a second click if it comes a fraction of a second after the first one, since obviously nobody would want to shift onto the small chainring and right back to the large. Besides, I’m not a klutz—on an old Schwinn I had with no front derailleur (it had broken off) I used to shift by hand—so I’m 99.9% sure I tapped those buttons just once.

I will continue to play the devil’s advocate and entertain the possibility that the derailleur was poorly adjusted. But remember, this was a ~$6000 rental bike that gets tuned up after every ride. It was built and maintained by arguably the top bike shop in a bicycle mecca. If UBikes can’t get it right, clearly the tolerances of this system are too tight—i.e., it’s literally too high-maintenance—to be practical. I for one would not want to own a bike with such finicky shifting (if adjustment is indeed the problem).

Pete, looking back and seeing that I’d thrown my chain, said, “See you back in Golden,” and rode off. Now, when you throw you chain off the big ring on cable-type drivetrains, it’s easy enough to get it back going again—you click the little lever on the left side to move the front derailleur left, then lift up the back of the bike so the rear wheel is off the ground, give the cranks a turn or two, and you’re back in business. It is the same process every  time so you do it without having to really think. But what would I do here? I had no idea why the bike had mis-shifted, and therefore no idea what chainring the front derailleur thought it was in. I had to look closely at the derailleur before double-tapping again, so the failure of eTap was compounded.

In the final analysis, eTap absolutely does not shift faster, nor is it easier or more enjoyable to shift, nor is it (more) foolproof. To my great delight, electronic shifting turns out to be even shittier than I’d imagined.

To those of you who shelled out a lot of money for electronic shifting: don’t feel bad. I’m not trying to bag on you. It’s your bike and your business and you can still feel good about choosing electronic, and I would never expect you to second-guess your choice based on my brief experience with it. But your derailleurs are butt-ugly and your bike is heavy.

Our third major climb, Douglas Mountain Drive, is a Category 2, mostly dirt, with an average pitch of 9%. Very scenic as well.

Some of the sights were more amusing than beautiful. For example, this one:

What’s amusing about that, you ask? Well, look a little closer:

There are grills on both the upper and lower decks! Why would that be? Maybe it’s in case members of the family can’t get along. “Just for that, I’m going to barbecue tonight, and you’re not invited!” / “Okay, fine, I’ll go downstairs and have my own barbecue! I don’t need you!”

What a glorious early evening climb this was. Being dirt, and steep, it didn’t let us climb out of the saddle much. We settled in for some really nice suffering and an even nicer view.

Of course I couldn’t snap any more photos once the descending began. With the exception of a mile-long climb I don’t even remember, it was all downhill, for 15 miles, back to Pete’s place. Fittingly, my tale ends as it began: with a beer.

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